But Taran’s solution requires just using a second Ultra Key in order to clean up the edges from the previous key. This can be a tricky one and often leads to your composited shots looking quite obvious. Taran’s extra tip involves cleaning up the fuzzy edges of the green footage when there’s motion blur in the shot – which can often be exaggerated after applying the above technique. I’ll leave actual explanation to Taran, as he has visual aids to demonstrate, but the Hue vs Hue adjustment is available in other editing applications like DaVinci Resolve, and it’s a fantastic way to be able to quickly and easily take care of colour casts and spill. Taran finally discovered a method using the Hue vs Hue sliders within Lumetri in Premiere Pro. Taran has tried a lot of techniques to try to eliminate green spill from keyed out footage, and a lot of the plugins and tools available for chroma keying are supposed to take care of it automatically, although they often don’t.
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